From Chapter 10:
The influence of the Court was wholly against smoking. Both Queen Victoria and the Prince Consort detested it, so tobacco was taboo wherever the Court was. The late Lady Dorothy Nevill, who lived to see the new triumph of tobacco, said that she thought the greatest minor change in social habits which she had witnessed was that in the attitude assumed towards smoking, which, in her youth, "and even later, was, except in certain well-defined circumstances, regarded as little less than a heinous crime." Lady Dorothy remarked that "smoking-rooms in country houses were absolutely unknown"—but that was not quite correct as we shall see in the experiences of Professor von Holtzendorff, to be mentioned directly—and that "such gentlemen as wished to smoke after the ladies had gone to bed used, as a matter of course, to go either to the servants' hall or to the harness-room in the stables, where at night some sort of rough preparation was generally made for their accommodation.... Well do I remember the immense care which devotees of tobacco used to take, when sallying forth in the country to enjoy it, not to allow the faintest whiff of smoke to penetrate into the hall as they lit their cigars at the door."

In 1845 Dickens wrote: "I generally take a cigar after dinner when I'm alone." The reservation in the last three words may be noted. In the "Book of Snobs," Major Wellesley Ponto goes to smoke a cigar in the stables—Ponto had no smoking-room—with Lord Gules, who is described as a "very young, short, sandy-haired and tobacco-smoking nobleman, who cannot have left the nursery very long." Later, Ponto and Gules "resume smoking operations ... in the now vacant kitchen."

From Chapter 13:
The scene is a tavern interior. Around the table are four men and a woman, while a boy approaches carrying two huge measures of ale. One man is smoking furiously, while on the table lie three other pipes—one for each man—and sundry pots and glasses. The woman is plainly a convivial soul; but there is no pipe for her, and such provision was no doubt unusual.

T here is direct evidence, too, besides the story in the first paragraph of this chapter, that women disliked the prevalence of smoking. In Marston's "Antonio and Mellinda," 1602, Rosaline, when asked by her uncle when she will marry, makes the spirited reply—"Faith, kind uncle, when men abandon jealousy, forsake taking of tobacco, and cease to wear their beards so rudely long. Oh, to have a husband with a mouth continually smoking, with a bush of furs on the ridge of his chin, readie still to flop into his foaming chops, 'tis more than most intolerable;" and similar indications of dislike to smoking could be quoted from other plays.
On the other hand, it is certain that from comparatively early in the seventeenth century there were to be found here and there women who smoked.

On the title-page of Middleton's comedy, "The Roaring Girle," 1611, is a picture of the heroine, Moll Cutpurse, in man's apparel, smoking a pipe, from which a great cloud of smoke is issuing.